My Name is Mazin Alhamdani. I am a native of Jeddah, Saudi Arabia. Ever since I was in medical school, I dreamt about pursuing post graduate medical training in the United States. I wanted this not only for the outstanding medical training, but also for the integrated training structure, and emphasis on ethics and professionalism. I studied for my USMLE exams while working as a resident in Saudi Arabia. I obtained good scores and began applying to residency programs. I was lucky enough to be accepted at a pediatric residency program in New York City, the “Big Apple.”
“Hello! Who are you, where do you come from?” They asked with their hand offered forward. I was starting my fellowship at the Kleinert Hand Institute.
I was always puzzled when I was asked this question. I was a visible minority even back in my hometown, although I was born there. What do they want to know? Where I am originally from? Where I was born and grew up? Where I went for university, or the program I graduated from?
In 2002, the Mountain Goats, an American folk band led by John Darnielle, released an album titled All Hail West Texas. The first thing that struck me about the early years of the Mountain Goat’s records were how sparse they were, if this was stylistic choice or a means to an end, I do not know. It is well known that those early records produced by John Darnielle were recorded on a Panasonic RX-FT500 cassette tape recorder. The very last album he recorded in this way was about my current home, West Texas. In a lot of ways, the album resembles its namesake with its subdued melodies juxtaposed in a very plain, drawn out canvas the same way the West Texas sky colors, with its unique reddish hue and dispersed cotton candy clouds, the endless roads seasoned with scattered oil pumps throughout. This place is not for everyone, the same way the record is not. But when you see the beauty of infinity with an unraveling clear starlit sky and a sprawling desert that suddenly turns into mountains, it’s easy to understand why Darnielle sang about wanting these highways to be a Mobius strip that he could ride forever.
When all my friends were graduating university and acquiring their first jobs, I was still midway through medical school, struggling through books and clinical rotations. I would listen to their stories of office friends and “work families” in awe – and wonder, when will I have this?
Fast forward through completing medical school, giving my steps, applying for residency, interview season… All those years erased the aforementioned questions from my mind. I was so focused on exams and landing a residency position in a foreign country, that I completely forgot about my yearning to be a working woman. On Match Day, though, having a job became a reality. In just a few months, I would be working for the first time in my life, in a distant place, in a hospital where I knew no one and no one knew me. Suddenly, residency went from being my dream to my fear.
Guatemala is a very diverse country; it is considered pluricultural, multiethnic, and multilingual. I grew up in Guatemala City and was raised in a very culturally aware family (my mother is a social scientist and my father is a public health specialist). In medical school, I took medical anthropology and learned of the importance of understanding local culture (the social behavior and norms in human societies) when treating patients. I did not know some of the concepts I learned in class would be so important in my personal life and career ahead. I took this class before and while doing a three-month community medicine rotation in one of Guatemala’s municipalities, San Juan Sacatepéquez. In this community, that is a 45-minute drive away from Guatemala City, we cared predominantly for patients of Mayan descent. In class, we learned about the Kakchiquel ethnic group, their culture and plural health system. We explored topics related to cultural change, cultural relativism, ethnomedicine, culture shock and ethnocentrism.